Is Twelve‐Tone Music Artistically Defective?
Identifieur interne : 000850 ( Main/Exploration ); précédent : 000849; suivant : 000851Is Twelve‐Tone Music Artistically Defective?
Auteurs : Diana RaffmanSource :
- Midwest Studies In Philosophy [ 0363-6550 ] ; 2003-08.
English descriptors
- Teeft :
- Acoustic object, Acoustic stimulus, Arcane pitch relationships, Architectural features, Architectural structure, Architectural structures, Atonal, Atonal idiom, Aural perception, Authentic cadence, Better term, Cavell, Certain type, Competent listener, Constant circulation, Contemporary music, Diana raffman, Dodecaphonic, Dodecaphonic music, Esthetic integrity, Experimental psychology, Expressive gestures, Faber faber, Feeling experience, Feeling experiences, Focal role, Grammatical rules, Human perception, Krumhansl, Latter permutations, Lerdahl, Linguistic grammar, Listener, Literal meaning, Literal understanding, Local harmonies, Local harmony, Local pitch structure, Local structure, Local structures, Many novel, Marteau sans maitre, Math professors, Melodic progressions, Mental representation, Mental states, Metrical stress, Midwest studies, Milton babbitt, Minor keys, Modernist transition, Music discomposed, Musical composition, Musical content, Musical context, Musical feeling experiences, Musical feelings, Musical meaning, Musical structure, Musical understanding, Musical utterance, Nonstructural, Nonstructural features, Nonstructural features function, Octave, Octave equivalence, Other features, Other hand, Other words, Oxford university press, Perceivable structure, Perceptual unreality, Perceptually, Pitch structure, Present purposes, Prime form, Probe tone method, Program notes, Raffman, Referential semantics, Retrograde inversion, Rhythmic stress, Schoenberg, Semantic representation, Serial music, Serial organization, Serialism, Story line, Structural connection, Structural description, Such feelings, Syntactic component, Tonal, Tonal center, Tonal music, Tonal work, Unconscious assignment, York times.
Url:
DOI: 10.1111/1475-4975.00073
Affiliations:
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Le document en format XML
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feelings</term><term>Musical meaning</term><term>Musical structure</term><term>Musical understanding</term><term>Musical utterance</term><term>Nonstructural</term><term>Nonstructural features</term><term>Nonstructural features function</term><term>Octave</term><term>Octave equivalence</term><term>Other features</term><term>Other hand</term><term>Other words</term><term>Oxford university press</term><term>Perceivable structure</term><term>Perceptual unreality</term><term>Perceptually</term><term>Pitch structure</term><term>Present purposes</term><term>Prime form</term><term>Probe tone method</term><term>Program notes</term><term>Raffman</term><term>Referential semantics</term><term>Retrograde inversion</term><term>Rhythmic stress</term><term>Schoenberg</term><term>Semantic representation</term><term>Serial music</term><term>Serial organization</term><term>Serialism</term><term>Story line</term><term>Structural connection</term><term>Structural description</term><term>Such feelings</term><term>Syntactic component</term><term>Tonal</term><term>Tonal center</term><term>Tonal music</term><term>Tonal work</term><term>Unconscious assignment</term><term>York times</term></keywords></textClass></profileDesc></teiHeader></TEI><affiliations><list></list><tree><noCountry><name sortKey="Raffman, Diana" sort="Raffman, Diana" uniqKey="Raffman D" first="Diana" last="Raffman">Diana Raffman</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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